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Friday, 15 March 2019

Waitress


          My partner and I have been eager to see this show since it was first announced as coming to Broadway back in 2015. The fact the show has now been nominated for 19 awards, winning 2 of them, made it even more appealing. I'll be referencing the wins later. We both loved the music, which along with the lyrics has been written by 7-time Grammy nominee Sara Bareilles, as well as the characters and had been eagerly awaiting a London transfer. When it was finally announced I snapped up tickets as quickly as I could. I have to admit though I've never seen the 2007 film, of the same name, starring Keri Russell. I have now purchased it and will be watching it soon. That does mean though, other than listening to the Original Broadway Cast Recording, I have no preconceived ideas around what to expect.

          I'm sorry to say though we both left the theatre disappointed. Now this wasn't because of the story or the music or indeed the theatre itself. It was mainly down to one actor, and one actor alone. Before I talk of this, let me talk about aspects of the show that I enjoyed, and there are a number of them.

          Lets start with the story. A lady, who is extremely good at making pies, has an unwanted pregnancy. She hates her abusive husband and ends up cheating on him with a married man. All this against the backdrop of a dead end job she has at a diner. A very unconventional story line, that I'm sure will not be to everyone's taste. In fact a couple of people in front on me walked out halfway through the first act. I was a little unsure myself, however this is a reality for many people that's hardly ever spoken about. Its nice and refreshing to see a musical show real life, not some jumped up exaggerated story with songs. Not that I don't like that sort of thing I might add, sometimes its just nice to have something different. The staging is exceptionally good with set pieces rolling in from stage left and right, including a podium which carries the band. I was drawn into the story, and felt like I was a fly on the wall of the diner. The story is hard hitting but, as I said, based in many peoples realities. Its certainly an interesting and unusual subject on which to base a film let alone a musical.

          Katharine McPhee gives a wonderful performance in the title role of Jenna, enabling audiences to feel empathy with a character whose actions many would disapprove of. Katharine's voice reverberates around the auditorium, and has a distinct warmth to it. She resonates friendliness and immediately brings the audience in. She has great chemistry with her waitress co-stars, Marisha Wallace and Laura Baldwin. Their friendship seems completely real and I get the impression they have fun on stage every night. Katharine isn't the best performer I've seen on stage, though she is more than adequate in her portrayal of this role.

          The character of Becky, played by Marisha Wallace, is the friend who's also looking outside of her marriage for sexual pleasure, but for completely different reasons than Jenna. The role of Becky was originally performed of Broadway by the fabulous Keala Settle, now most known for her role as Lettie Lutz in The Greatest Showman. Its unfortunate for Marisha, as she will always have that comparison made with Keala. Marisha brings a whole new attitude to the character of Becky, more understated and complex. She does however have many comic moments, bringing at times some much needed comic relief. I was unfortunately at times however reminded of the song Random Black Girl from the show Homemade Fusion, by the writing due Kooman and Dimond. I'm not saying this in a positive way. If you have no idea what I'm talking about id recommend looking it up. Saying this though, she was an excellent performer. She made Becky into a fully realised 3D personality. It was a joy to watch. Laura Baldwin is also brilliant in the role of Dawn. I immediately loved her, wanted the best for her and felt protective of her. In many ways she reminded me of one of my dearest friends I've known since university. Her character like Becky, gave many comedic moments when it was much needed. She has a wonderful singing voice and gave a performance that outshone many of the cast.

          Now onto the part that, for me, completely ruined the show. Jack McBrayer as Ogie. I know some people have enjoyed his performance, but for me it was lacklustre and quite frankly one of the worst performance I've seen on a main West End stage. Saying that, he was a perfectly competent actor though nothing amazing. As for his singing, well ………… there is definitely ALOT of room for improvement. The fact that in the programme his biography focusses more on who he's acted with rather than what he's been in, says a lot about his lack of experience. He is slightly funny, though completely overacts it, throwing himself around the stage which affects the already lacking quality of his singing voice. Now Christopher Fitzgerald, who played the role on Broadway, was stunning. He had exactly the right balance of comedy and creepiness that made you love the character. Chris is a seasoned performer, having appeared in Wicked and Young Frankenstein to name just two, and it shows in the quality of his performance.
(UPDATE:- Joe Sugg is now playing the role of Ogie, and his voice sounds much better, which is surprising seeing as this is his stage debut and McBrayer was supposedly a 'professional')

          Its a very interesting show and a breath of fresh air for the West End, even if the subject matter may be hard for some people to deal with. I imagine it will be on in London for a while, though I doubt it will last as long as the Broadway production is likely to last. It's also been announced that it will be going to Australia in 2020, though there has been no announcement as to the cast.



For information and tickets for the Broadway production, click here
For information and tickets for the West End production click here
For up to date information on the Australian production please click here

Monday, 4 March 2019

Company


          I have been sooooooo excited to see this show. Anything by Sondheim is something I want to see. Not because I favour him over others, just simply that I find his work interesting and believe he has made a real mark on the theatre industry during his life. I also met him years ago when I went to see Gypsy (read my review here) and he was an absolute gent.

          There were also two other factors that played into wanting to go. Firstly Patti Lupone was returning to the London stage, after having last been here in 1997 for a production of the Terrence McNally play Master Class. The final and maybe the more important reason was the change of gender for some of the characters, Rosalie Craig in the title role of Bobbie (rather than Bobby) and Jonathan Bailey in the role of Jamie (rather than Amy).

          Lets first start with the renamed Jamie. Creating a same-sex relationship within this much loved, and some would day iconic, piece of theatre, will I'm sure annoy and frustrate many lovers of Sondheim and non-lovers alike. Why? Its updating it and making it more suitable and relevant to todays audiences and society in general. It doesn't affect the story, the meaning of what's said/sung or indeed any part of the show at all. If anything it actually made the show, for me, far more enjoyable. It felt like a more modern and up to date show than a lot of Sondheim I've seen on stage. This was undoubtable helped by the heartfelt and honest portrayal of the character by Jonathan Bailey. He makes one of the most realistic and true to life gay characters on stage. In some way I feel more so even than the fantastic cast of  the sublime show The Inheritance (I will be writing a 'Trip Down Memory Lane' review of this show soon). As soon he appeared on stage I felt connected to him. I saw aspects of myself, and of every gay person I know, in him. He felt like a friend. Like someone I've known for ages.

          Now as for the character of Bobbie, this gender change is something I'm sure will be even more of a sacrilege to the show than the character of Jamie. It was however an absolutely geniuses decision. Why cant a woman be unapologetically single? why cant they live a promiscuous sex life? Musicals, and shows in general, more often than not show women as wanting or even needing a man to feel fulfilled. They just cant be happy single. If they are single, or loveless, then they are normally portrayed as being either elderly and widowed or having something wrong with them. This obviously couldn't be further from the truth. There are thousands, if not millions, of women out there who are happily single. This is a very underrepresented group of women in theatre. Why? Rosalie Craig performs Bobbie wonderfully, and is someone Sondheim himself I'm sure will be proud of. She devours this role. Never mind the character now being a woman, Rosalie bring a whole new perspective and dimension to the role. Her portrayal made me bempathise and love the character so much more than I ever have done.

          With Bobbie now being female, the song You Can Drive A Person Crazy, one of my favourite songs I might add, is now sung by three men. The characters of Kathy, April and Marta and now Andy, Theo and PJ. They are expertly performed by Richard Fleeshman, Matthew Seadon and George Blayden respectively. These three performed the song wonderfully and in fact get one of the biggest applauses of the night. And rightly so. I'd go so far as to say that I felt three men seemed to connect more with the lyrics than ive ever felt when its been performed by women.

          The Dame of theatre herself, Patti Lupone was great. Not the best I've ever seen her, but still an overwhelming presence on stage. A master of her craft. She knows this show backwards, and it shows. She performs the role effortlessly, having previously performed it at the New York Philharmonic Concert in 2011. I was surprised to find Mel Giedroyc was also superb as Sarah. Who knew she had a lovely voice and was a great actress? I certainly didn’t. The whole cast have a sublime chemistry and just make everything work. 

          The staging complements the story and the actors brilliantly. From the tiny box representing Bobbies home to the spacious kitchen of Jamie and Paul. Oh, on a side not, the staging of ‘Not Getting Married’ was one of the best pieces of comedic theatre I’ve seen. Perfect performance by Jonathan Bailey. Never did I say to my self, in regards to staging ‘why have they done that?’ or ‘oh that could have been better if they’d done this’. Everything just worked. 

          I couldn’t recommend this show more. It finishes on March 30th (2019), so if you want to go you’ll need to be quick. You can purchase tickets here.